|
|
|
_
_______The Goodman Theatre, Chicago,
IL
_______• The Clean House,
directed by Jessica Thebus (2006)
_______• Schoolgirl Figure,
directed by David Petrarca (2000)
_______Steppenwolf Theatre Company,
Chicago, IL
_______• Intimate Apparel,
directed by Jessica Thebus (2005)
_______• I Never Sang For My Father,
directed by Anna Shapiro (2004)
_______Cincinnati Playhouse, Cincinnati,
OH
_______• My Fair Lady, directed
by Susan V. Booth (2003)
_______The Repertory Theatre of St.
Louis, St. Louis, MO
_______• My Fair Lady, directed by
Susan V. Booth (2003)
_______• Proof, directed by
Susan V. Booth (2002)
_______• Spinning into Butter,
directed by Scott Zigler (2001)
_______The Alliance Theatre, Atlanta,
GA
_______• The Fourth Wall,
directed by Susan V. Booth (2004)
_______• My Fair Lady, directed
by Susan V. Booth (2004)
_______• Proof, directed by
Susan V. Booth (2002)
_______• Spinning into Butter,
directed by Susan V. Booth (2001)
_______• Shadowlands, directed
by Susan V. Booth (2000)
_______• How I Learned to Drive,
directed by Susan V. Booth (1999)
_______• Beast on the Moon,
directed by Susan V. Booth (1998)
_______The Actor’s Theatre
of Louisville, Louisville, KY
_______• Description Beggared;
or the Allegory of WHITENESS, directed by Lisa Peterson (2001)
_______• Wonderful World,
directed by Marc Masterson (2001)
_______• Quake, directed by
Susan V. Booth (2001)
_______The Court Theatre, Chicago,
IL
_______• James Joyce’s The
Dead, directed by Charlie Newell (2003, 2002)
_______• The Romance Cycle,
directed by Charlie Newell (2003)
_______• Hay Fever, directed
by Gary Griffin (2001)
_______• The Little Foxes,
directed by Charlie Newell (1999)
_______• An Ideal Husband,
directed by Charlie Newell (1998) [Jeff Award]
_______American Player’s Theatre,
Spring Green, WI
_______• The Master Builder,
directed by David Frank (1999)
_______• Mary Stuart, directed
by David Frank (1998)
_______Northlight Theatre, Chicago,
IL
_______• How I Learned to Drive,
directed by Susan V. Booth (1999)
_______• Away, directed by
David Petrarca (1997)
|